Street-Art-A-Feminist-Playground

What words come to mind when I mention ‘street art’? Vandalism? Free speech? Beautiful? Offensive? Colourful?

Whatever your thoughts are on the subject of street art, as with most things in life, we need to look at it from various angles: what is seen as vandalism by someone, is considered an art form by someone else.

What is clear is that more academic research is required to study this beautiful art form. The meanings behind some of these artworks, how they engage with current topics both in Australia and around the world, creating awareness of what is going on in our contemporary world and creating an alternative voice.

Street art has the ability to engage an audience and begin conversations between the artist, artwork and public – something that is both powerful and fascinating. Whether it is a protest piece or commentary on current issues such as society’s obsession with celebrity culture – something I discuss below – these works have the capability to create conversations that resonate through the streets visually.

Some important questions I have found myself asking: Have you ever thought about who paints the art work? Are they male or female artists? Would it change you attitude to the work if you knew the sex of the artist?

Street art is a male dominated movement. Why? Is it because of the frequently dangerous nature of the movement. Works often need to be undertaken at night and in alleyways. Or  is it because of the socially constructed gender role of society that makes this a masculine practice?

Through the article that follows, I discuss how street art creates conversations in the urban landscape, delve into the history of graffiti, introduce the first female graffiti artist, Lady Pink, and discuss how some of the female artists situate themselves within this masculine practice.

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Figure 1: Kim ‘the fat slut’ – photo by author

 

Kim Kardashian is always likely to get you a headline. Her most recent Instagramed nude selfie – or nudie – once again brought the Internet to a standstill as her endless self-promotion lit up discussion boards and gossip columns. Continue reading “Street-Art-A-Feminist-Playground”

20th-Biennale-Of-Sydney

Thanks to a work colleague, I was fortunate enough to preview the 20th Biennale of Sydney before it opened to the public. The Biennale is an international contemporary arts festival held in Sydney every two years. The title of this years Biennale is  “The future is already here — it’s just not evenly distributed” – and it contends with the idea that we live in both a virtual and physical space and sometimes we are caught between the two.

Constantly surrounded by our phones and other devices, we are always connected to social media and the internet 24/7 in this ongoing loop of virtual/physical.

The Biennale, which is held in many different venues around Sydney – with each venue   designated as an ’embassy’ (or theme). I have picked three of my favourite works form Art Gallery of NSW (AGNSW), Cockatoo Island and the Museum of Contemporary (MCA).

Continue reading “20th-Biennale-Of-Sydney”

Knowledge-Translation

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Artist Unknown – Newtown 2016 – Photo by author

Knowledge translation is vital to any research project!

When asked ‘what do you research’, the easiest thing is to respond with lots and lots of jargon to sound smart!

It is much harder to communicate your research to a person who is outside of your area without using jargon from within your field.

To be able to explain the topic in an accessible way is beneficial for two reasons. Firstly, it creates ‘new knowledge’ because it expands the research area to  people outside the discipline area. Secondly, this creates the potential fore new conversations and therefore, new ideas.

This is the concept of ‘knowledge translation’. It allows for the understanding of your area as well as the exposure of what you are researching. Continue reading “Knowledge-Translation”

Kuhn-&-Popper

Sofles Feb 16 Newtown
Sofles –  Newtown 2016 – Photo by author

This first semester of my Masters of Research (MRes) is about becoming a researcher and aiding me with the tools to write. Someone described it as learning how to run a marathon!

My research area is focussed on female street artists and how they view themselves within this art practice.

The course is well structured in regards to the topics, the history of your field, collection of data, how to analyse this data and so on.

One of the assessments is a journal that you discuss the weekly topics. In responding to one of my posts, my lecturer Dr Jack (the sauna) Tsonis challenged me so I thought I would respond here. Continue reading “Kuhn-&-Popper”