Activating the urban environment: A case for street art

Description of the nature of your presentation

The presentation is part of my broader Doctor of Creative Arts project that is on contemporary Australian street artists and how street art creates a disruption in our everyday experiences of the urban environment. This case study presented was based on my research was conducted in Laramie, a small town in Wyoming, USA.

In the paper that this presentation draws from, I argued that street art can be used to create an ‘activation of space.’ This can happen through the art, the engagement with the audience and the way that events such as stress art tours build around the art works.

The paper was submitted to the Global Media Journal and accepted for publishing with changes. The changes requested focused on further developing the theoretical framework around this concept of disruption. In arts and practiced based doctorates, theory engagement often follows the artistic component. As my artistic component has been delayed because of the global pandemic, this forced me to develop theoretical work before my field work.

As such, while I found this challenging, the case study of Laramie allowed me to further my understanding of street art theory and further develop my theoretical background for my PhD.

This article now re-submitted, is not linked to a conference, so I presented the paper to my supervisory panel via zoom. 

Reflection about the presentation

The presentation was chance to present the development of this new theoretical framework and was well received by my supervisory panel.

I do not enjoy public speaking – I even found presenting to my panel nerve racking. However, presenting via zoom was easier than giving the talk in person – not as many eyes on me in comparison to a normal presentation.

My supervisors provided feedback about my theoretical framework as we discussed how to structure the multiple threads of my thesis in my Doctor of Creative Arts exegesis. The panel asked multiple questions about the development of my theoretical work as well as the case study. providing constructive criticism of how to structure my argument.

As a presenter, it is always difficult to judge your own performance. Overall, however, it went well though I still got nervous in parts and stumbled over a few words.

I understand the importance of public speaking and how vital it is to have these skill sets for future job prospects. Specifically, to be able to translate your research in an accessible way.

As a PhD student who has no interest in pursuing an academic career, I have not applied for conferences. As such, having to do a presentation for the GCREDI is very helpful as I learnt to translate the paper into a talk. This allowed me to have fun (especially with the imagery), to unpack the case study, and outline the theoretical framework.

I think the only regret of the presentation was that I did not record it. Honestly it did not cross my mind and personally I think it is a missed opportunity. It would have been great to review my own performance – even though watching yourself is cringy – I would have been able to learn from the experience by seeing myself talking. This could have been an excellent way to look at my presentation skills and improve through watching myself speak.

Activating the urban environment: A case for street art

Street art: commentary on society or a reflection of society

Street art as a megaphone

Street art is a visual megaphone for ideas, thoughts, commentary and information. While artists have always acted as a mirror to society’s big questions, what makes this art form unique is that it is a voice in public space.

It is also a medium that can work in ‘real time.’ For example, a piece by Australian artist, Scott Marsh, appeared in Chippendale Sydney recently. This artwork is a response to how the Australian government handled the devastating bushfires of 2019/2020.

Scott Marsh, Chippendale, Sydney 2020
Image from artists Instagram account

This artwork catches the audience’s attention both with its visual impact, but also by asking us to contemplate and reflect about the events – not just the devastation caused but the power structures that has made climate change policy inaction a dimension of Australian political life. Marsh’s work asks us to begin conversations about conservation, prevention and assistance to those who need help. In this painting it creates a voice for those victims that may have been forgotten.

We can compare the way street art captures audience attention from the way an audience interacts with an artwork in a traditional gallery setting. Entering a museum space – you see what is presented to you on the walls:  curated information and context and specified a way to be guided through the museum, creating ‘docile spectators’ (Flessas & Maulchay 2018). In contrast, artworks that break the traditional space of the gallery setting allow artists to create works that are guided by their own intentions and thoughts.

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Kochi-Muziris Biennale 2018/2019

In January 2019, I attended the Kochi-Muziris Biennale – the largest art exhibition in India. The exhibition ran for 3 months in multiple venues throughout Fort Kochi, Kerala.

The theme for the Biennale was Possibilities for a Non-Alienated Life.

Embedded in this theme was ‘inequality’ – a theme that continues to resonate around the world. The artists challenged the audience to consider, how do we create a space that creates opportunities for all?

Such a question is more relevant than ever during this COVID 19 pandemic.

The works exhibited during the Biennale were politically driven. Exploring issues around colonization, gender equality, human rights and the impact of natural disasters on the local community. This last point was particularly relevant for local communities as  Kerala was flooded through the monsoon season in 2018, many homes were lost and 433 people died. This crisis resonated through multiply works in the Biennale.

The curator of this Biennale, Anita Dube, wrote:

“If we desire a better life on this Earth — our unique and beautiful planet — we must in all humility start to reject an existence in the service of capital. Possibilities for a Non-Alienated Life asks and searches for questions in the hope of dialogue.”

It is the hope that we as people can create a space for equality that crosses divides. Creating a space where people can talk and find solutions to some of the grand challenges confronting us.

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